‘Yan’an is the beacon and hope for the Chinese people’

YAN’AN: “The setting sun shines on the tower on the hill. The fireflies at the riverbank are basked in the shimmering moonlight. The spring breeze drifts across the plain fields, and the hills form a solid shield. Ah, Yan’an…” In the spring of 1939, an evening cultural gala was held at a meeting hall in Yan’an. The first performance was “Ode to Yan’an”, and the soprano was Tang Rongmei and the tenor Zheng Lvcheng. The performance was magnificent. Chairman Mao Zedong applauded when singing was completed, and Zheng’s eyes were filled with happy tears.
Zheng was another outstanding composer after Nie Er and Xian Xinghai in contemporary China. He was one of the pioneers of China’s proletarian revolutionary music. But unlike other famous composers, Zheng was actually from Korea.
In the first half of the 20th century, numerous revolutionaries fought for their national independence against Japan’s militarist aggression towards East Asian countries. Many of those revolutionaries also came to China and joined China’s fight against Japanese aggression. Zheng was among them.
After the “Marco Polo Bridge Incident” (7 July, 1937), Zheng and many other young enthusiasts went to Yan’an. Yan’an was then a sacred place of democracy and freedom in the country and the cradle of most patriotic songs at that time. Singing resounded everywhere in Yan’an, making it an ocean of songs. In such an environment, Zheng spared no time to study and compose. In Yan’an, Zheng felt the strong conviction of the CPC and the Eighth Route Army in the revolution, and the solemnity and loftiness of Yan’an as a sacred place of the revolution. He also saw the hardships yet the simplicity and dynamism in life in Yan’an.
One evening in the summer of 1938, Zheng, still a student in the department of music at Lu Xun Academy of Fine Arts (LXAF), attended an assembly of local people in Yan’an together with his fellow schoolmates. On their way back to school after the assembly, he saw the crowds still talking about national affairs in high spirits and full of optimism about the country’s future.
Students of the Military and Political University of Resistance Against Japanese Aggression walked in lockstep with full vigor, singing songs against Japanese aggression. These moments inspired Zheng’s passion for music writing, bringing touching scenes to his mind. With his deep love and admiration for the CPC, the Eighth Route Army and Yan’an, Zheng worked around the clock to compose music.
– The Daily Mail-Global Times News exchange item